The second issue is a slightly insubstantial low end which we're not sure what element to pin the blame on for. You could always -shudder - use a quieter membrane keyboard if this bothers you. This isn't really a failing on the AT2020USB+'s part, but perhaps more of a by-product of its proclivity to capture some room noise, which actually enlivens a lot of vocal and acoustic guitar recordings. One is that the cardioid pattern is broad enough that you have to put some time and effort into positioning it at just the right angle to avoid the dreaded keyboard clicking sounds.
There are only two drawbacks in fact, and they're slight. It's robust enough to record booming guitar signals through a 2x12 cabinet without distortion even at ear-rattling volume, but also capable of capturing those transient details of a softly delivered vocal up close to the mic. In all honesty, despite offering only CD-quality audio, this mic doesn't fall too far behind. What we loved about the Beyerdynamic Fox when we tested it recently was its higher bit depth and sample rate, which gave it a warmth and subtlety and placed it in line with higher-priced studio mics.
With a 44KHz sample rate and 16-bit depth, it falls in line with the specs of most other mics on the market, offering CD-quality audio as the audio signal is converted to digital. When recording spoken vocals, it has a warmth and clarity when you're right up to the diaphragm, and doesn't start to sound roomy until you're about four feet away. This is a medium-diaphragm condenser with just a cardioid polar pattern available, so It's designed as an all-rounder, and performs wonderfully as such. Fixed-charge back plate, permanently polarized
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